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Faces and Trials

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THE AMULET “Everyone succumbs,” you said suddenly, “to this indefinite age, without baggage, without a destination, almost without sorrow. We are no longer threatened by unfulfilled youth, by its restlessness and its yoke.” You found yourself unprepared on the brightly lit streets; the long-standing loneliness scattered the remnants of a clipped memory whose sole comfort was an ancient whistle of a childhood Christmas night. The world has thinned out; all that remains is a photograph with frayed edges, timid gestures, and a vase with short little hands ending in the most enigmatic rustle. Yet you have no doubt: the inhabitants of wondrous secrets still exist.
  • Author Kostas Bournazakis
  • Pages: 56
  • ISBN: 978-960-572-109-1
  • Publication: 2016
  • Dimensions: 16.3 x 23.5 εκ.
  • Categories: Literature, Books, Poetry

Kostas Bournazakis, on the occasion of his latest poetry collection _Faces and Trials_, met with Vangelis Boubakis from _Extreme Ways_ and together they analysed all aspects of his distinctive work.

– Extreme Ways

"...'Kontomari, Chania, 2 June 1941’ [from the collection _Faces and Trials_] is a vigorous historical poem with a strong philosophical undertone, precisely because it rises above the specific event, into the ‘absolute’ according to Aristotle’s definition. At the same time, it is a tender elegy, a difficult work of art. Aeschylus’s anonymous biographer reports that the dramatist went into self-imposed exile from Athens when the poem he composed for the Marathon warriors was judged inferior to that of Simonides, because “the elegy must possess much of the subtlety of the sympathetic”, and this requirement was alien to Aeschylus’s art. Kostas Bournazakis’s poem, on the other hand, does indeed possess ‘much of that delicate sensitivity associated with the sympathetic’...’.

– M. Z. Kopidakis, The Greek Report

"...Bournazakis chooses the path of free association with a character that transcends the usual poetic anthropocentrism. Within a universal logic, he associatively transports the audience into a world of inner anguish with a philosophical dimension that captivates the senses through his surreal visual imagery."

– Dimos Chloptsioudis, Tvxs.gr

"...The ‘characters’ in Bournazakis’s work, shaped by defining life experiences, with consciousness, passions, adventures and insight, but also with the unknown nature of beings (which is the eternal theme of poetry), are presented in their authentic form, that is, with the pure receptivity of the senses, the liberation of their subtle faculties, and with questions transformed into introspection and a projection of the phenomenon of life. These are not ‘staged scenes’, ‘inventions’ or ‘discoveries’, but apt and complete realisations that substantially enrich contemporary Greek poetry."

– Atalanti Michelogiannaki-Karavelaki, Diastixo.gr

Kostas Bournazakis

Kostas Bournazakis, poet, translator, scholar and literary editor, was born in Heraklion, Crete, in 1961. To date, he has published the following books: Poetry: ‘Neati’ (1989), "Archipelago" ("Ikaros", 1997). Translation: John Keats, "Seven Odes", ("Ikaros", 1997). Literary Editing – Study: Angelos Sikelianos, "Letters", Volume I (1902–1930), Volume II (1931–1951), (“Ikaros”, 2000). Angelos Sikelianos, “Antidoro”, (“Ikaros”, 2003). Angelos Sikelianos, "Mother of God", ("Ideogramma", 2003). Angelos Sikelianos, "Sermon on Heroism", ("Ikaros", 2004). "Chronology of Angelos Sikelianos (1884–1951)", ("Ikaros", 2006). Angelos Sikelianos, "Letters to Eva Palmer Sikelianos", ("Ikaros", 2008). "Anthology from the works of Pantelis Prevelakis", ("Vikelia Municipal Library, 2010"). Stylianos Alexiou & Zissimos Lorentzatos, "Correspondence (1967–2003)", ("Vikelia Municipal Library, 2010"). "Anthology of the works of Giorgos Manousakis", ("Vikelia Municipal Library, 2012"). Angelos Sikelianos, "Interviews and Conversations", ("Vikelia Municipal Library", 2013).

Images

Images

Kostas Bournazakis

In the Images of Kostas Bournazakis, the allure and conquests of the senses, which embody in the poems the indelible radiance of nature, the Greek language, love, art, and vivid imagination, coexist with a new interpretation of the world – an interpretation that transforms the fabric of reality into a life that is ceaselessly vibrant and, for this very reason, endlessly spontaneous and evocatively contemplative. Rooted in ‘places’ where wonder unlocks memories of radiant visions and imperishable voices, and through the supremacy of beauty over the constraints and arrogance of time, the Images offer the mythical realm that familiarises us with a luminous and generous freedom – and the journey continues whilst the poet’s verses colour the horizons of authentic lyrical acts with multiple meanings. IN THE SUN OF MOLAES The torrent gathers the birds — sharp strokes and amidst the rushes that melt the coins of the stream; gypsy butterflies pause they approach the asphodel, pass through the musk, the spells of the cyclamen, gently drink the droplets of the sun that rippled on the golden thorn; sparkling rustles, violet seeds flutter where the waters murmur and restless gladiators flash in the air. You fall silent and listen intently to the colours; gusts of wind with wild grasses rustling, uphill slopes that have cast off their caps, stones with red hair that weave murmuring the scents syllable by syllable, bursts of cicada passion, unbridled warbling, become a body that speaks, an iconostasis of an untouched Greece.

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Faces and Trials

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