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Endless Days

Shortlisted for the Foreign Fiction Prize at The Athens Prize for Literature 2019

Irish author Sebastian Barry returns with a compelling novel set in America in the mid-19th century: a powerful story of two men living through some of the most critical moments in American history.

For its exceptional use of language alone, Sebastian Barry’s ‘Days Without End’ stood out among the novels of the year. Epic in conception yet comparatively concise in length, this harsh yet magnificent book presents the most captivating narrator we have ever encountered. A great American novel written by an Irishman.
TLS, Books of the Year 2016
Thomas McNulty, just seventeen years old, and his companion John Cole enlist in the US Army in the 1850s and take part in the Indian Wars and subsequently in the American Civil War. Orphans, both having endured terrible hardships, and despite the atrocities they witness, find their days filled with light and vitality. They then meet a young Native American girl, and a glimmer of happiness appears, provided they can survive. Despite the prevailing violence, a portrait of an unexpected and moving family emerges. Spanning the plains of the American West to Tennessee, Sebastian Barry’s novel is a masterpiece of atmosphere and language that challenges us to see what truly matters, even on days that seem endless and hopeless. The book won the Costa Book Award for Fiction 2016 and the Walter Scott Prize 2017, and was also longlisted for the Man Booker Prize 2017, the HWA Endeavour Ink Gold Crown 2017 and the Andrew Carnegie Medals for Excellence in Fiction 2018. In February 2018, Sebastian Barry was honoured with the highest distinction in Irish literature (Laureate for Irish Fiction).
  • Author Sebastian Barry
  • Edited by Dimitris Papakostas
  • Translation Maria Aggelidou
  • Cover design/illustration Christos Kourtoglou
  • Pages: 296
  • ISBN: 978-960-572-241-8
  • Publication: 2018
  • Date of publication: 10/07/2018
  • Dimensions: 13.3 x 20,5 εκ.
  • Categories: Literature, Books, Foreign Literature

"...The book is impressive in every respect—for its style, its subject matter, and its psychological portrayal of the characters. The author himself says that his central character is dedicated to his young son, who is gay. But it is the mark of great writers that they can transform personal experience into literature. This novel is a true masterpiece that creates a sense of reading euphoria; and yet another brick in the great McNulty saga."

– Katerina Malakate, Reading

"...It is impressive that within a medium-length novel, Barry has managed to present us with an entire era. He does so with excellence and a poeticism that never strays from the realistic nature of the narrative. His many readers in our country will be captivated by this book too, in Maria Angelidou’s meticulous translation."

– Anastasis Vistonitis, To Vima

"...Can a historical novel be so steeped in contemporary concerns without at the same time preaching? If the author is Sebastian Barry, then of course it is possible. Using the historical backdrop of mid-19th-century America—an America tested by successive wars, which obliterates anything standing in the way of the ruling class—he highlights the anxiety surrounding violence against the Other, the immigrant, the outsider in the dominant mindset, its concern over the exploitation of the weak, but also the hope that, through individual efforts to satisfy inner needs, some will manage to survive the levelling efforts of a society that elevates the average and marginalises anyone who deviates from it."

– Aphrodite Dimopoulou, diavasame.gr

"...If literature humanises every barbaric emotion, the proof is surely this book, one of the most tender, beautiful and, in their harshness, optimistic novels of recent years."

– Tina Mandilara, LIFO

"...Pages of appalling violence but also of unparalleled lyricism in the pages of the multi-award-winning Irish author Sebastian Barry’s *Days Without End*, published by Ikaros in an excellent translation by Maria Angelidou. This is the story of two boys who, trying to survive in 19th-century America, find themselves in a saloon where they dance dressed as women in front of miners, enlist in the army and experience all the brutality of the Civil War and the extermination of the Native Americans. Amidst endless horror, a peculiar family is formed, as love manages to survive. A heart-rending ode to otherness."

– Eugenia Boyanou, Avgi

"...the literary result is impressive both on the surface and beneath it: the novel encompasses emotion and cruelty, kindness and fear, and of course the oldest of needs, love, in its simplest and yet most profound forms."

– Kostas Drougalas, Bookpress

"...The Irishman’s book is shocking. Quite simply and categorically. He writes of war, which hangs over our heads like an invisible axe; he writes of the irresponsible and inhumane people who wield it, who value nothing but land, territory, money and power, and care nothing for lives or feelings."

– Alexandros Stergiopoulos, The Magazine

"...Sebastian Barry’s book, a raw and magnificent novel, forces America to look back once more at its own past and at the Great War. [...] In its pages, the author captures the inner world of his three protagonists in miniature, yet at the same time depicts a world of places and frontiers so remote that it is hard to imagine today."

– Georgios Nik. Schoretsanitis, Bookpress

"...Barry’s wonderful narrative style is the star of this amazing novel, which has everything a reader could ask for! A brilliant pace, character development (one might even call it a ‘coming-of-age novel’), lively dialogue, three-dimensional characters, and humour even in the most dramatic scenes. The author’s unique writing talent captivates even the most detached reader, as he allows his gaze to wander from pages of unbridled violence and bloodshed to the meadows and landscapes of a country both beautiful and ugly, vast and endless, offering unique shifts in imagery and emotion."

– Librofilo

"...Barry brings to the fore the people who found themselves on the ‘wrong side of society’ and acknowledges the role they played in shaping modern American history. The otherness of Irish immigrants, like that of Native Americans, African Americans, non-conformist women or gay people, becomes the prism of a literary metaphor through which to comment on the open wounds of our time. And so the intensity of his novel soars."

– Mikelia Chartoulari, Eφημερίδα των Συντακτών

"...Barry makes his harrowing novel particularly compelling with his vivid, striking descriptions, such as the wild buffalo hunt at the beginning, the terrible flood that sweeps away the makeshift military fort, the bloody battle scenes in the Civil War, the unprovoked attack on the Sioux village, and the Indian chief’s proud entrance into the American camp. His narrative flows smoothly, the atmosphere is convincing, his writing is skilful, and the frequent interruption of his careful prose by touches of humour lightens the grim atmosphere of mutual destruction."

– Myrto Athanasiadou, Iskra.gr

"...In this landscape, where brutality is brewing, no one has reason to hope: and yet, it is precisely under these circumstances that the genetically optimistic Irish narrator of the book, who experiences days without end –hence the title of Sebastian Barry’s eponymous book, translated by Maria Angelidou–, has one fundamental reason to dream, and that is none other than love."

– Tina Mandilara, LIFO

"...This book is a superb example of perfect balance and astonishing mastery. On the one hand, there are descriptions for the strong of heart, and on the other, images of incredible beauty. Throughout the book, I kept wondering how this exceptional author manages to do this. How is it possible that, whilst describing battle scenes with shocking brutality, he can write a couple of sentences about nature or a man – an enemy in battle – that more than make up for the savagery and ugliness? Sebastian Barry shows us once again what a great writer he is."

– Nikos Grigoriadis, Proust & Kraken

Sebastian Barry

Sebastian Barry was born in Dublin, Ireland, in 1955. His mature literary style, for which he is particularly well-known, has established him as one of the world’s most distinguished writers. He has been shortlisted twice for the Booker Prize for the novels Far, Far Away (Polis, 2007) and The Secret Scripture (Kastaniotis, 2009), the latter having won the 2008 Costa Book of the Year and James Tait Black Memorial awards. In 2011, his book To the Land of Canaan (Kastaniotis, 2011) was on the longlist for the Booker Prize. His novel Days Without End (Ikaros, 2018) was honoured with the 2016 Costa Book Award for Novel, the 2016 Costa Book of the Year and the 2017 Walter Scott Prize. Furthermore, it was shortlisted for the 2017 Booker Prize, the 2017 HWA Endeavour Ink Gold Crown and the 2018 Andrew Carnegie Medals for Excellence in Fiction. In February 2018, Sebastian Barry was honoured with the highest distinction in Irish literature (Laureate for Irish Fiction). Ikaros Publications has also released his novel A Thousand Moons (2020), the sequel to Days Without End.

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Endless Days

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